Post by account_disabled on Feb 27, 2024 6:05:58 GMT -5
The worthy score. This one is no exception. Silvestris gift for modular scoring is in full effect here as he can change on a dime from the symphonic to the dramatic and back again in the space of a single cue. The opening credits are a feast for the sharpeared featuring countless homages to traditional Christmas music including Deck the Halls and Good King Wenceslas. The main theme for the film A CHRISTMAS CAROL Main Title is a joyous symphony of twinkling orchestrations and chirpy sleigh bells that perfectly set the tone for this version of the classic tale. Silvestris skill at capturing the horror of the ghost scenes is also on display with a host of creepy rattling sounds that eerily encapsulate the hauntings and nightmares of Ebenezer Scrooge.
The sneering harps of the Ghost of Christmas Present and the gossamer strings that accompany the Ghost of Christmas Future are equally unnerving as is Scrooges horrifying realization of Tiny Tims fate in a wall of sound that is both chorally ominous and heartbreaking. The final scene of Scrooges Phone Number List transformation is perhaps the most poignant as he reaches out his hand to touch Tiny Tims head in the montage. Its a bittersweet moment and Silvestris music is as touching as it is rousing.
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